I have spoilt mine with my work. Aaise mat dekho Don't look at me like this History uthake dekh lo, do cheezein hamesha common rahi hai Read the history and you'll see that two things have always remained common Dil bhale hi left mein hota hai Even though the heart is on the left Heroine ki zindagi is like an elected government The life of a heroine is like an elected government Woh item number ka guitar thi, main sufi gaane ka ek tara She was a guitar of a hot song, and I was a note of a poetic song Ishq Sufiyana.
Ooh La La. Twinkle Twinkle. You May Like Rascals. Biography Comedy Drama. Director Milan Luthria. Top credits Director Milan Luthria. See more at IMDbPro. Trailer The Dirty Picture Trailer.
Photos Top cast Edit. Vidya Balan Reshma as Reshma …. Emraan Hashmi Abraham as Abraham. Tusshar Kapoor Ramakant as Ramakant.
Devyani Girl in maroon dress as Girl in maroon dress. Imran Hasnee Vijayan as Vijayan. Mangala Kenkre Ratnamma as Ratnamma.
Anju Mahendru Nyla as Nyla. Manikandan Photographer as Photographer. Dilip Merala Photographer at the race course as Photographer at the race course. Gulshan Pandey Director as Director. Shivani Tanksale Radhika as Radhika. Atul Singh Verma Usher as Usher. Milan Luthria. More like this. Watch options. Storyline Edit. Rebellious and uninhibited Reshma lives an impoverished lifestyle with her mother, Ratnamma, in s South India. With this film, Vidya Balan rewrote the history of women characters in Indian cinema as she delivered an award-winning performance.
She essayed the role of South Indian siren Silk Smitha, a poor girl who rose to stardom after making several sacrifices. However, later the makers of the film clarified that story of the film was based on the life of many South Indian contemporaries like Disco Shanti and more. The film broke all the box-office records and won three national awards followed by three Filmfare awards and six Screen Awards. The screenwriter of the film was Rajat Aroraa.
In the month of August , during an interview with India Today, the actress spoke about her thoughts before signing the film. When more work started coming in, I knew I had connected with the film-going audience. Several films later, I decided that film was the medium of my choice. BlueCat: What was your first break into the screenwriting industry? Yes, there are those precious moments when, years after the release of the film, someone refers back to a certain scene you wrote, or a dialogue you wrote gets used as a retort in a casual conversation, or you are walking on the street and you overhear someone sing a song you wrote.
I cherish those moments. After much deliberation, we decided that dialogue would be the USP of the film. It could have worked either way for us, but it totally worked. Once Upon a Time in Mumbai brought back the trend of dialogue with chutzpah.
I am delighted to have started the trend! I did a little jig after i got that call. I did an even longer jig when the film became a huge success at the box office. Recently, a film that I had nothing to do with was reviewed in a leading daily. I found my name in the review where the author used it like an adjective.
0コメント